African American Composers in the Wind Band Tradition

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African American Composers in the Wind Band Tradition highlights the rich but often overlooked contributions of African American composers to the wind band literature. With this volume, author Dakeyan Graham fills a critical gap by spotlighting the artistry of composers who have been historically underrepresented in concert programs, curricula, and scholarly study._x000D_ _x000D_ Part I traces the history of wind band music among Black composers decade by decade, documenting stylistic developments and a comprehensive catalog of composers and works from the 1940s to the present._x000D_ _x000D_ Part II offers detailed musical analysis, composer biographies, and pedagogical insights for five seminal compositions:_x000D_ _x000D_ _x000D_ From the Delta by William Grant Still_x000D_ American Guernica by Adolphus Hailstork_x000D_ Canvas by George Walker_x000D_ Amen! by Carlos Simon_x000D_ Come Sunday by Omar Thomas_x000D_ _x000D_ _x000D_ Taken together, this volume offers accessible and actionable content for diversifying concert programming and fostering inclusivity._x000D_ _x000D_ By honoring a vital part of America’s musical heritage, African American Composers in the Wind Band Tradition affirms the importance of representation while inspiring a new generation to celebrate diversity in musical performance and study._x000D_ _x000D_ Dakeyan Graham is an award-winning educator, motivational speaker, clinician, and conductor who presents workshops and conducts bands and orchestras across the United States. Selected as the Florida Teacher of the Year in 2020, he now serves as conductor and music director of the Alachua County Youth Orchestra. Dr. Graham holds three doctorates in music education, learning design and performance technology, and instrumental conducting.