Accompaniment - []

Accompaniment - ["Organ"]

Accompaniment - ["Piano"]

Accompaniment - ["Piano"]

Accompaniment - []

Accompaniment - []

Accompaniment - ["None"]

Accompaniment - []

Accompaniment - []

Accompaniment - ["Organ"]

This set of canticles was designed to be used to teach sight-reading. Consequently there are plenty of simple tunes which reappear in various guises, particularly in the treble part. The soprano and organ parts in this SATB version are nearly identical to the original; the alto, tenor, and bass parts are derived from the organ accompaniment. It is intended as a joyful, tuneful, and singable setting, with the primary intention of enhancing the liturgy of Choral Evensong. I hope it is also uplifting for congregations to listen to, and straightforward for choirs of all levels, from parish to cathedral, to sing.

Accompaniment - ["Organ"]

One of Stainers richest and most exciting liturgical works. A muscular work with strong bones, the Service is ideal for performance in spacious architecture with a large choir and generous organ. Edited by leading Stainer expert, Professor Jeremy Dibble for the RSCM. 

Accompaniment - []

An exciting new original by Australian composer Daniel Brinsmead, this contemporary piece encourages young singers to use their voices with courage and intention. The lyrics explore themes of self-doubt, identity, and the quiet confidence that grows over time. With a steady piano accompaniment and rhythmic, accessible vocal writing—including optional cue notes for developing ensembles—this piece invites performers and audiences alike to reflect on how they might use their voices with purpose in a world that needs them.

Accompaniment - ["piano"]

This two-part piece is perfect for developing treble choirs, featuring excellent vocal ranges that are highly accessible for children and youth ensembles. A heartfelt coming-of-age song, it takes listeners on an emotional journey through life—one that is sure to move audiences to tears.

Accompaniment - ["none"]

This BEST SELLER is now available for unaccompanied mixed choirs! A playful reimagining of the classic nursery rhyme, choirs are encouraged to explore diverse articulations, rich choral textures, and dynamic contrasts to create an evocative and engaging atmosphere. With original rainy-day text, this fun and challenging piece features sound effects, body percussion, and varied rhythmic articulations that mimic a rainstorm, keeping singers energized and audiences captivated. Unique and fun!

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A lively new original concert piece for SATB choirs (no divisi) with piano accompaniment, set in a spirited Americana style. Featuring a fun and inspiring text, this standout work is sure to be a favorite among secondary and collegiate choirs. Perfect for concerts, festivals, and graduations, it’s both uplifting and exciting to perform. “Just lift your eyes up to the skies, and the stars will lead you home.”

Accompaniment - ["piano"]

Featuring a secular text by Langston Hughes, this melodic SSA piece is set to a lovely piano accompaniment and a part for C or Bb instrument. With excellent ranges suited for developing treble ensembles, this tune is highly accessible and charming. The instrument part is available as a PDF download at SBMP.COM.

Accompaniment - ["piano"]

This powerful and uplifting secular anthem for advanced treble ensembles features extended ranges and divisi for all voice parts, accompanied by piano and French horn. The flowing piano accompaniment beautifully supports the text by award-winning poet Charles Anthony Silvestri: “How can you know that a world awaits you just beyond your door? How can you shine your light?” The Horn in F part is available as a PDF download at SBMP.COM

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Best-selling composer Coleman Peterson presents a new original work for SA choirs with piano, based on Sara Teasdale’s poem “To-Night.” Lovely and accessible, it features melodic vocal lines and a creative piano accompaniment which supports the voices throughout. Written in a duet style, this piece offers accessible ranges suitable for children and youth choirs, as well as developing secondary treble ensembles.

Accompaniment - ["piano"]

With extended vocal ranges and a sweet, lilting melody, this inspiring piece for treble choirs features flowing melodic lines and a beautifully crafted piano accompaniment. Based on the poem “Roots and Wings,” it reflects on how the highest flights begin with a deeply planted seed. Treble choirs will be encouraged to dream big with this uplifting and expressive selection. “It starts with a seed whose roots grow deep.”

Accompaniment - ["none"]

Another powerful traditional spiritual from best-selling choral arranger Stacey Gibbs, this unaccompanied setting for Tenor-Bass choirs is rhythmic, exciting, and full of energy. It's an excellent sacred selection for contests and festivals, and makes a strong, impactful concert closer. A helpful piano reduction is included for rehearsal support.

Accompaniment - ["piano"]

Robert Frost’s poem “The Cow in Apple Time” tells the humorous yet cautionary tale of a cow lured by temptation and led into self-destruction. Drawn to the fallen apples beyond a stone wall, she breaks through and indulges recklessly, leaving chaos in her wake. This witty ode to a headstrong Holstein explores themes of greed, indulgence, and consequence. Full of vivid imagery and character, Vass’ setting of the text offers rich teaching moments and plenty of fun for SATB choirs of all levels. A fantastic choice!

Accompaniment - ["none"]

Now available for treble choirs, this traditional Zulu praise and worship song is written in the isicathamiya style—an a cappella form featuring close harmonies that originated among Zulu mine workers during the apartheid era. The piece opens with two soloists calling out, followed by a choral response. Dramatic and powerful, it builds in intensity, with a vibrant rhythmic section at its heart. The title translates to “Let Me Be Nearer, My Lord.” A pronunciation and translation guide is included for ease of learning. For an authentic interpretation, consider viewing the Tuks Camerata performance of the SATB voicing on YouTube.

Accompaniment - ["piano"]

Robert Schumann’s “Widmung” (Dedication)—a beloved staple of solo vocal repertoire—is now available in this arrangement for Tenor-Bass choirs with piano accompaniment. This piece is a hallmark of Schumann’s Liederjahr (“Year of Song”), in which he set Friedrich Rückert’s poetry to music as a declaration of love to Clara. Choongwoo Steve Ko has creatively adapted this iconic solo work into an interesting choral setting. A powerful choice for contests and festivals.

Accompaniment - ["piano"]

A gorgeous new original piece by best-selling composer Karen Marrolli, this work is highly accessible with moderate ranges for all voice parts. Mixed choral ensembles of all levels and sizes will enjoy singing this socially responsive piece, supported by a flowing piano accompaniment. Featuring an uplifting text, “When words fail, music will sing”, it is both inspiring and moving—a stunning addition to any choral performance. Highly recommended!

Accompaniment - ["piano"]

Written by South Korean composer Hye-Young Cho, this BEST SELLER is now available for advanced Tenor-Bass ensembles with piano accompaniment. Sung in Korean, it includes phonetic pronunciation directly in the score for ease of learning and performance. The poignant text reflects on the memory of a lost loved one—while time may blur some details, the connection remains unforgettable. Emotionally powerful and stunning.