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FOR YEAR A! Sanctus: Bilingual Missal / Misal Bilingüe is a fully bilingual side-by-side liturgy resource that includes readings and psalm responses (Abbey Psalms and Canticles) for Sundays and major feasts!_x000D_ _x000D_ PARA EL AÑO A!  Sanctus: Bilingual Missal / Misal Bilingüe es un recurso litúrgico completamente bilingüe que incluye lecturas y respuestas a los salmos para los domingos y los días festivos principales.

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Sunday’s Word is for use in conjunction with a hymnal and service book or other music resource, and is intended for those who wish to preread the scriptures of the day as a preparation for the celebration, who have difficulty hearing, or who feel the need to read the text as it is proclaimed for full comprehension. The Eucharistic Prayers are also included._x000D_ _x000D_ It contains the assembly’s responsorial psalm refrain for each Sunday and major feast. The full version of the Psalms (keyboard accompaniments, guitar chords, and cantor verses) are found in Lectionary Psalms: Michel Guimont (G-8150)._x000D_ _x000D_ Sunday’s Word also contains the Order of Mass, with the assembly’s responses from Tony Alonso’s setting, Mass of Christ, Light of the Nations (G-9090). The full score with the keyboard accompaniments and choral parts (G-9090FS) and other editions are available from GIA._x000D_ _x000D_ The weekday section includes the entrance antiphon, Psalm response, gospel verse, and communion antiphon for all feasts, memorials, and weekdays of the year. In addition, the Order of Mass texts (including both the Nicene Creed and the Apostle’s Creed) are printed on the inside front cover for convenience._x000D_ _x000D_ The perfect companion to any hymnal..._x000D_ _x000D_ • Now with larger, easy-to-read print_x000D_ _x000D_ • Readings for Sundays and major feasts_x000D_ _x000D_ • Order of Mass with music from the Mass of Christ, Light of the Nations_x000D_ _x000D_ • Enhanced weekday section_x000D_ _x000D_ • Easy-to-read 6.5” x 9.5” format; 250 pages

Accompaniment - ["Piano"]

Accompaniment - ["Piano"]

Accompaniment - ["Piano"]

Accompaniment - ["Piano"]

Accompaniment - ["Keyboard"]

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Accompaniment - ["Piano"]

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CONTENTS:  An Evening Medly in Humility and Praise (Alston) • Arise, My Love, and Come Away (Weston) • Come Sunday (Haywood) • Fanfare: Triumphant Entry (Osterman) • Hold On (Joubert) • Improvisation on THAXTED (Davis) • Mediation (from Suite for Organ on CHRIST and ST. LUKE'S) (Haywood) • Meditation on PICARDY (Holtzhauser) • Postlude on DUKE STREET (Osterman) • Prelude on FOREST GREEN (Duncan IV) • Sinfonia with "We Gather Together" (Alston) • Toccata on McKEE (Phillip)

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Anthony Bernarducci composed the title track of this EP in honor of his friend Pat Moore, who lost her fight to cancer in 2022. Her kindness, generosity, and joy will be missed by many. The oboe is meant to portray a bird and, ultimately, a loved one’s spirit. The cello, piano, and voices take on the sound of a wave, seashell, sunset, and lament of grief, offering a poignant reminder that the spirit of someone we love remains a part of us forever.

Accompaniment - ["Keyboard"]

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Accompaniment - ["Piano"]

Accompaniment - ["Keyboard"]

Accompaniment - ["Reduction"]

For C or B-flat Instrument.

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Craig Hella Johnson and KI Concerts commissioned The Secret of the Sea (2018), for choir, piano, percussion, and string quintet, which had its premiere at the Sydney Opera House in Australia on July 17, 2018. The subject of the piece was inspired by this venue’s proximity to the sea, and to compose it, Runestad searched for texts related to the sea in his own poetry collection and beyond. The resulting libretto incorporates texts by Walt Whitman, Henry Wadsworth Longfellow, H.D. (Hilda Doolittle), and the Inuit shaman Uvavnuk, and takes listeners on a dramatic musical journey. “This journey of the human spirit,” the composer writes, “questions the meaning of existence while evoking the sights and sounds of the sea.”_x000D_ _x000D_ Part I, “The Unbounded Sea,” pairs texts by Whitman and Longfellow: Whitman’s words express the unbridled joy of embarking on an ocean voyage, while Longfellow introduces the central image and title of the work: “My soul is full of longing for the secret of the sea.” In Part II, “Crash On Crash,” H.D.’s agitated language launches us into a “raging” and “furious” sea that Runestad matches with equally stormy music. Finally, Part III, “The Light that Fills the World,” presents a cultural story that expresses Inuit peoples’ intimate relationship to the sea. One evening, upon leaving her home, the Iglulik shaman Uvavnuk witnessed light come down from the sky. It entered into her and, inspired, she began to sing a song about the sea, of which the text that concludes The Secret of the Sea is a rough translation. Runestad’s music is harmonically centered around the Lydian mode—- hum the Do-Re-Mi-Fa-Sol-La-Si-Do scale starting on Fa—as well as the whole tone scale, whose expansive intervals evoke the majesty of the sea, and may bring to mind Claude Debussy’s La Mer._x000D_ _x000D_ Program note by by Leah G. Weinberg, Ph.D._x000D_ Please credit this writer in all uses of this program note.

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"Mariposa" is a movement from "The Lighthouse Keeper" - an extended work capturing a life journey of joy, beauty, loss, and renewal. This moving setting of the poem by Edna St. Vincent Millay is a meditation on savoring every moment we have with those we love.