Franz Schubert composed the Mass in G major D 167 in March 1815. Only six months earlier, he made his public debut as a composer with his first Mass in F major D 105. Although no specific occasion for the composition of the second mass is known, it was most likely written for Schubert’s home parish in Lichtental (now a district of Vienna), where it was also first performed.

The original version of the Mass in G major was intended for string instruments only. Shortly afterwards, however, Schubert added trumpets and timpani ad libitum in a revised second version, which also forms the basis of this edition. The expanded instrumentation was probably intended for a festive church occasion – possibly one of the Easter days of 1815.

Montana Music: Chorale Variations for symphonic wind ensemble is one of four works in David Maslanka's Montana Music series, inspired by the powerful landscape and spiritual energy of Montana. Commissioned by the Bishop Ireton Symphonic Wind Ensemble (Alexandria, Virginia) under the direction of Garwood Whaley, the work reflects Maslanka's desire to capture the elemental force of the land through music. Built upon J.S. Bach's chorale O Haupt voll Blut und Wunden (No. 98 from the 371 Four-Part Chorales), the piece transforms the timeless hymn into a deeply expressive set of variations. Blending Bach's enduring musical architecture with Maslanka's distinctive harmonic language, Montana Music: Chorale Variations offers advanced wind ensembles a compelling and spiritually resonant concert work.

Montana Music: Chorale Variations for symphonic wind ensemble is one of four works in David Maslanka's Montana Music series, inspired by the powerful landscape and spiritual energy of Montana. Commissioned by the Bishop Ireton Symphonic Wind Ensemble (Alexandria, Virginia) under the direction of Garwood Whaley, the work reflects Maslanka's desire to capture the elemental force of the land through music. Built upon J.S. Bach's chorale O Haupt voll Blut und Wunden (No. 98 from the 371 Four-Part Chorales), the piece transforms the timeless hymn into a deeply expressive set of variations. Blending Bach's enduring musical architecture with Maslanka's distinctive harmonic language, Montana Music: Chorale Variations offers advanced wind ensembles a compelling and spiritually resonant concert work.

I spent twenty years of my life in and around the red rock country of Northern Arizona and Southern Utah. This area is strikingly beautiful and the images have been permanently etched into my memory. My first job as a band director was on the Navajo Reservation at Tuba City High School in Northern Arizona. Next door to Tuba City lies Moenkopi, a small village on the Hopi Reservation. "Moenkopi Lullaby" (contained in this piece) is melodic nod to the mesas and the beautiful people of the Hopi Nation. During my time there, I came to love the people of the Navajo and Hopi Nations and found them to be very kind, welcoming, and generous of spirit. This work serves as a musical tribute to the breathtaking landscapes and remarkable people of the great Southwest.

I spent twenty years of my life in and around the red rock country of Northern Arizona and Southern Utah. This area is strikingly beautiful and the images have been permanently etched into my memory. My first job as a band director was on the Navajo Reservation at Tuba City High School in Northern Arizona. Next door to Tuba City lies Moenkopi, a small village on the Hopi Reservation. "Moenkopi Lullaby" (contained in this piece) is melodic nod to the mesas and the beautiful people of the Hopi Nation. During my time there, I came to love the people of the Navajo and Hopi Nations and found them to be very kind, welcoming, and generous of spirit. This work serves as a musical tribute to the breathtaking landscapes and remarkable people of the great Southwest.

Unleash an unstoppable burst of energy with Born to Rise by Adrian B. Sims! This composition explodes with epic brass and driving percussion, celebrating musical growth and achievement. A high-octane opener or closer guaranteed to ignite audiences, performers, and directors alike! (2:15)

unleash an unstoppable burst of energy with born to rise by adrian b. sims! this composition explodes with epic brass and driving percussion, celebrating musical growth and achievement. a high-octane opener or closer guaranteed to ignite audiences, performers, and directors alike!

Unleash an unstoppable burst of energy with Born to Rise by Adrian B. Sims! This composition explodes with epic brass and driving percussion, celebrating musical growth and achievement. A high-octane opener or closer guaranteed to ignite audiences, performers, and directors alike! (2:15)

This captivating piece of the famous Sara Teasdale poem is for high school level and older choirs. Its lyricism matches the poetry's effect. A great option for programming a concert of poetry.

Waves on the Sea is a traditional ballad with roots in 17th century Britain as “The Mermaid.” It contains chord symbols for optional bluegrass instruments.

This collection is in many ways is a reflection of the composer's love for the beautiful small organs found in towns and villages of Vermont. This posthumous collection of ten short pieces had the needs of the village organist in mind but provides rich original compositions for any level of organist. Written for manuals or minimal pedal.

Contents:

Prelude
Fugue
Rondeau
Canon
Dialogue
Fanfare
Meditation
Interlude
Procession
Carillon

New, accessible settings.

Contents:
Prelude on Hyfrydol
Prelude on Ellacombe
Prelude on Nettleton

Connecting Psalm 139 and the call of Jeremiah, this work is a great selection for a small to medium-sized church choir.

A whimsical text from the perspective of a young child, this piece would fit perfectly in a set of humorous pieces.

This beautiful setting seeks to balance contemplation with urgency and vulnerability with hope.